Surely one of the most effective arguments against the continued taxpayer support of public media is that public media serves a socioeconomically elite audience. What’s the point of subsidizing media for rich people who should be able to pay for what they want themselves?
There are any number of initiatives in the public media system to reach low-income people who currently aren’t listening, watching or reading, but former Michigan Radio reporter Sarah Alvarez is skeptical about them.
“I hear a lot more about projects to basically sell the same product to a slightly different group of people,” she told me on The Pub. “I think if you really want to serve a low-income audience, you might have to change your product, and I don’t know how willing folks are to do that.”
Now, Alvarez is running a new journalism nonprofit in Detroit called Outlier Media, which doesn’t publish traditional reports to any kind of traditional platform. Rather, Alvarez offers renters in Detroit actionable information about their properties texted right to their phones. It’s one of the best examples I’ve ever seen of how public-service journalists can adapt their core products for new audiences and platforms.
Also on the show: Trint founder Jeff Kofman on why his web-based automatic audio-transcription service costs what it does; a good lesson I learned about how to not write something racially insensitive; and Current boss Julie Drizin on why Current.org is getting a paywall.
Public media has an obsession lately with a certain word. As Only A Game senior producer Karen Given observes in this week’s episode of The Pub, “Just say the word ‘narrative’ and program directors and editors suddenly start paying attention. Everyone wants narrative. But what the f*** is it? I mean, we all use the word, but what does it even mean?”
Raise your hand if you’ve ever had the same question. All of the hottest shows — in particular those like This American Life and Snap Judgment that seem to transfer especially well from public radio to the podcasting market — feature what is often called “narrative storytelling.” And yet most people, when pressed, probably couldn’t explain the difference between “narrative storytelling” and any other method by which reporters and producers craft stories.
On this week’s episode, Given consults with TAL producer Sean Cole, among other sources, and finally comes up with a satisfying definition of “narrative,” though her journey there is surprisingly perilous and she is forever transformed by an experience that also hints at universal themes about life. (Am I doing narrative right?)
Also on the show, Niala Boodhoo celebrates the first anniversary of her new daily talk show, Illinois Public Media’s The 21st, and she shares her philosophy on how to make an interesting, inclusive local talk show in the 21st century (yes, that’s partly where the name comes from).