If doctors make the worst patients, what can you expect when you have the most celebrated radio producer of his generation as a guest on your radio show? WNPR’s Colin McEnroe found out when he had Ira Glass on The Colin McEnroe Show Thursday and they ended up having an extensive on-air conversation about how to edit the sound of Glass getting up to adjust the air conditioning in his New York studio.
McEnroe guest-hosts The Pub this week and presents his complete conversation with Glass, which they recorded just a few weeks after the 2016 Public Radio Program Directors conference where Glass singled out McEnroe’s show as a rare example of innovation in public radio (and where he erroneously referred to McEnroe as “Chris” in front of basically everyone important in the system).
Their fascinating conversation on WNPR ranged from the merits of pledge drives and why Glass enjoys producing pitch packages (his top reason has nothing to do with supporting the mission) to the semiotics of this election season and how Donald Trump is, in McEnroe’s typically esoteric words, “hacking away at the umbilicus between signifier and the signified.”
NPR put out a crowing press release this week, headlined “NPR Sees Large Ratings Increase,” that I think made a complicated and perhaps unknowable situation seem a lot simpler — and perhaps a little rosier — than it really is. On this week’s episode of "The Pub," I invite NPR audience development chief Israel Smith and researcher Susan Leland to really flesh out the numbers and speculate about what’s driving them.
Also, in the Opening Shot, I talk about the abortive prosecution of Democracy Now’s Amy Goodman and whether the First Amendment really does grant special rights to journalists (short answer: no).
A new federal regulation set to go into effect Dec. 1 will hugely increase the number of American workers who must be paid overtime. According to a client advisory issued by the Washington-based law firm Pillsbury, “broadcasters in particular may feel the impact of the changes given the staffing models used by many TV and radio stations.” Don’t we know it.
On the show this week, Pillsbury attorney Rebecca Rizzo explains why broadcasters — managers and employees alike — need to be particularly concerned with this enormous impending change to how people get paid, and what everybody needs to know.
Also, in the Opening Shot, veteran public radio and podcast producer Julia Barton bemoans the trend of podcast think piece authors adorning their articles with stock art of microphones.
Why has no one ever heard of Don Voegeli? He composed one of the most famous and enduring pieces of theme music ever written — the dignified fanfare that has played at the top of NPR’s “All Things Considered” every evening for four decades. It’s one of hundreds of pieces Voegeli composed for the early days of public radio.
Unlike “Morning Edition” theme composer BJ Leiderman, who negotiated a perpetual on-air credit for his work, Voegeli never asked for credit. He didn’t even ask for money. As a music professor at the University of Wisconsin and longtime employee of WHA (later Wisconsin Public Radio), Voegeli saw the music he contributed as simply an extension of his regular public service mission.
Don Voegeli died in 2009, but now his son Jim is hoping to remind the world just how talented, prolific and widely heard a composer his father was.
Jim has just completed assembling the four-CD collection Beautiful and Lovely: The Music of Don Voegeli. It includes many variations of the “ATC” theme, along with dozens of other early public radio themes, film scores, concert music and commercial jingles heard nationwide.
On this week’s episode of “The Pub,” Jim plays his favorite pieces from the collection and talks about his father’s remarkable and occasionally tragic life.
Also, in the Opening Shot, I talk about Ira Glass’ misnomer faux pas at PRPD, the BBC show “Sarah and Duck” and its amazing theme song, the resignation of BBC radio chief Helen Boaden, and the cancellation of Gimlet’s widely praised Mystery Show.